Carl Zeiss Distagon T* 28mm f/2.0

The Zeiss Distagon T* 28mm f/2.0 Lens is a moderate wide-angle lens based on the renowned Distagon design for the Contax system. The modern Distagon T* has been optimized with current, higher performing and eco-friendly glass and incorporates a floating lens element design to optimize image quality across the entire focusing range.

This high-performance lens captures very detailed scenes with high accuracy and information content. Its fast f/2.0 aperture allows for handheld photography under difficult lighting conditions and it is well-suited for landscape, nature, and commercial photography.

This lens has a fast f/2.0 aperture to enable handheld photography under difficult lighting conditions. Well-suited for landscape, nature, and commercial photography


ZF.2 lenses have F bayonet and mechanical aperture coupling as well as CPU coupling for Nikon, Fujifilm or Kodak SLR cameras.

F2-A, Nikkormat FT3, FM, FM2 (Manual only)
F2-AS (Manual & Shutter Priority only)
EM (Aperture Priority only)
EL, FE, FE2, FM3A, F3 (Manual only)
F301, F501, FG (Manual & Aperture Priority only)
FA, F4, F5 (all functions supported)
F70, F90, F90X, F100,iF401, F601, F801, D1, D1X, D1H, F50, F55, F65, F75, F80, D40, D40X, D50, D60, D70, D70s, D80, D90, D100, D3000, D5000 (all functions supported)
F6, D2-Series, D200, D300, D300s, D3, D3s, D3X, D700 (all functions supported)
FinePix S1Pro, S2Pro, S3Pro, S5Pro (all functions supported)
Kodak Pro 14n (all functions supported)
Letus35 (Manual only)
EOS 1d,1ds,Mark II, III, IV, 5D, MarK II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Digital Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D (Manual only)


  • Filter Size 58mm
  • f/Stop Range f/2.0 - 22
  • Minimum Focus Distance 9.5" (0.24mm)
  • Focusing Range 9.5" (0.24mm) - infinity
  • Magnification 1:5
  • Angle of View 74°
  • Groups/Elements 8/10
  • Camera Mount ZF.2 (Nikon F)
  • Length 2.7" (69mm)
  • Maximum Diameter 2.5" (65mm)
  • Weight 1.16 lb (530 g)


  • The 28mm ZF draws outstanding colors, at times giving you the impression that you are shooting at the golden hour while standing in middling afternoon Sun.
  • It’s key flaw: it exhibits strong field curvature at bigger apertures (f/2.0).
  • Stopping down to f/2.8 improves micro-contrast to excellent levels over a good portion of the frame. (This stop also mitigates field curvature for many uses on full format sensors).
  • Stopping down further to f/4 improves image quality at infinity on full format sensors, which now suffer very little from field curvature, and then not at all at f/5.6. Image quality at f/5.6 is excellent for all uses on all cameras.


per dag: 12,-
per extra dag: 6,- (50% korting)